ES 329 - Chicanx/Latinx Cultural Production: Activism, Identity, Resistance Units: 3 ; Breadth Area: GE-UD-C; Diversity Survey of Latinx cultural producers and their contributions to Latinx political projects. The course will include discussions of cultural reclamation, decolonization, gender/sexual liberation, racism, economic justice, and immigrant rights.
Prerequisites:
Completion of GE Areas A1, A2, A3, and B4 with grade C- (CR) or better. Possible Instructional Methods: Online Asynchronous. Grading: A-F or CR/NC (student choice) Breadth Area(s) Satisfied: GE-UD-C - Upper Division Arts or Humanities, Overlay - Diversity Course Typically Offered: Fall & Spring
Student Learning Outcomes - Upon successful completion of this course students will be able to: demonstrate an understanding of and ability to apply the following humanities-based principles, methodologies, value systems, and thought processes: cultural production, close-reading, social critique
analyze Latinx cultural production as an expression of, or reflection upon, what it means to be human;
- demonstrate how the perspectives of the Latinx arts and humanities are used by informed, engaged, and reflective Latinx communities to put forward an alternative to cis-patriarchal, white supremacist, and colonial regimes of power/ knowledge.
- describe the historical and contemporary experiences of Latinx communities in the US resilience and agency of Latinx cultural workers;
- identify structures of oppression and the diverse efforts and strategies used by Latinx cultural workers to combat the effects of oppressive structures;
- analyze the intersection of the categories of race and gender as they affect Latinx communities’ lived realities and/or as they are embodied in Latinx identities and cultural resistance; and
- recognize how queer, undocumented, feminist, and variously racialized Latinx cultural workers use cultural production to complicate our understanding of Latinx identities.
UD-C. Upper-division Arts or Humanities Learning Outcomes
- demonstrate an understanding of and ability to apply the principles, methodologies, value systems, and thought processes employed in the arts and humanities;
- analyze cultural production as an expression of, or reflection upon, what it means to be human; and
- demonstrate how the perspectives of the arts and humanities are used by informed, engaged, and reflective citizens to benefit local and global communities.
Diversity Overlay Learning Outcomes
- describe the histories and/or experiences of one or more U. S. cultural groups and the resilience and agency of group members;
- identify structures of oppression and the diverse efforts and strategies used by groups to combat the effects of oppressive structures;
- analyze the intersection of the categories of race and gender as they affect cultural group members’ lived realities and/or as they are embodied in personal and collective identities;
- recognize the way that multiple differences (including, for example, gender, class, sexuality, religion, disability, immigration status, gender expression, color/phenotype, racial mixture, linguistic expression, and/or age) within cultural groups complicate individual and group identities.
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